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Archive for the ‘Stonehenge’ Category

THE first two crop circles of the summer have appeared close to Stonehenge.Stonehenge crop circle

Both lie in a barley field just off the A360, near Airman’s Corner.

Francine Blake of the Wiltshire Crop Circle Study Group said the first, which is 170ft in diameter, is an important symbol similar to one from the ancient Mayan culture, lying east-west and linking past and future.

Some enthusiasts have pointed out that it is identical to a logo used by the anarchist punk band Crass 30 years ago, representing the idea that great power will eventually destroy itself.

The second symbol, of two circles touching, measures 130ft by 80ft, and is said to relate to a partial solar eclipse on July 1.
Link: http://www.salisburyjournal.co.uk/news/9132878.Crop_circles_appear/?ref=ms

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Legends of Glastonbury

There are so many myths associated with Glastonbury that it is difficult

Glastonbury Tor

Glastonbury Tor

to know where to begin to talk about them. There are two main streams of legend that surround Glastonbury, though they twine around each other to some degree. The two streams revolve around the romantic figures of Joseph of Arimathea and King Arthur. Let’s take them one at a time.

Joseph of Arimathea
Joseph was the Biblical figure who took Jesus’ body after the crucifixion. According to some legends he was actually Jesus’ uncle, and had visited Britain years before with Jesus in the pursuit of his interests in the tin trade. It appears that there actually was a strong Jewish presence in the west of England at that time, and many of the tin miners may have been Jewish settlers.

At any rate, when Jesus died, Joseph thought it prudent to flee Palestine, and after many travails he came to Britain with a company of followers. He brought with him the Holy Grail, the cup used by Jesus at the Last Supper. Some versions of the legend have it that the Grail contained two drops of blood captured from Jesus’ side when he was wounded on the cross.

When Joseph came to Britain he was granted land at Glastonbury by the local king. When he arrived at Glastonbury, Joseph stuck his thorn staff in the earth, whereupon it rooted and burst into bloom. A cutting from that first tree was planted in the grounds of the later Glastonbury Abbey, where it continued to bloom every year therafter at Christmas time. There is still a thorn tree in the Abbey grounds, of a variety native to the Holy Lands, and it does indeed bloom around Christmas time.

Joseph was said to have established the first church in England at Glastonbury, and archaeological records show that there may well have been an extremely early Christian church here. What happened to the Holy Grail is another matter. Some legends have it that Joseph buried the Grail at the foot of Glastonbury Tor, whereupon a spring of blood gushed forth from the ground.

There is a well at the base of the Tor, Chalice Well, and the water that issues from it does indeed have a reddish tinge to it, from the iron content of the water.

Other legends have it that the Holy Grail was interred with Joseph when he died, in a secret grave. The search for the mysterious Grail emerges again and again in the tales of Glastonbury.

Further legends tell that the church founded by Joseph continued for many years. Eventually it became a monastery, and one of the first abbots was the future St Patrick, who was born in the west country.

King Arthur and Glastonbury

Glastonbury Abbey, where King Arthur is said to lie buriedLegends of King Arthur swirl about Glastonbury like a tantalizing fog from the nearby Somerset marshes. The nearby hill fort at South Cadbury has long been suggested as the location for Camelot. Indeed, excavations of South Cadbury suggest that it was in use during the early 6th century, which is the likeliest era for the real Arthur to have lived.

The association of Arthur and Glastonbury goes back at least to the early Middle Ages. In the late 12th century the monks of Glastonbury Abbey announced that they had found the grave of Arthur and Guinivere, his queen. According to the monks, an excavation found a stone inscribed “Here lies Arthur, king.” Below the stone they found the bones of a large man, and the smaller skeleton of a woman. The monks reburied the bones in the grounds of the abbey, where they were a very handy draw for pilgrims. The site of the grave can be seen today in the abbey grounds.

Glastonbury Tor, the enigmatic conical hill that rises above Glastonbury, has been linked with the Isle of Avalon, where King Arthur was buried after his death. This isn’t so farfetched as it may sound, for a millennium ago the water level was much higher, and the tor would indeed have been an island. Avalon was also called “the isle of glass” which does suggest similarities to the name “Glastonbury”.

The Holy Grail, the object of Arthur’s questing, is said to be buried beneath Glastonbury Tor, and has also been linked to Chalice Well at the base of the Tor.

One final myth of Arthur at Glastonbury: the landscape around Glastonbury is said to have been moulded and shaped so that the features (such as roads, churches, and burial mounds) create a zodiac calendar replete with Arthurian symbology. Like so many of the Arthurian myths, so much is open to interpretation and your own predisposition to believe or disbelieve.

Glastonbury Abbey
Is there a place more steeped in legend and myth than Glastonbury? Glastonbury AbbeyProbably not. Legend holds that the earliest church here was founded by St. Joseph of Arimathea in about 60AD, and that when he planted his staff in the earth a thorn tree burst forth.

In the grounds of the ruined Benedictine monastery there is a thorn tree of a variety common to the Middle East which is given to bloom around Christmas time.

By the late Middle Ages Glastonbury had become the richest abbey in England, due to the heavy pilgrimage trade. It was rich enough to build an inn for well-to-do pilgrims (the George Inn, on nearby High Street, which still welcomes guests 500 years later). The best preserved building in the abbey grounds is the old Abbot’s Kitchen (see photo), a curious square building which appears round due to its octagonal roof. In the abbey grounds are the reputed graves of King Arthur and Queen Guinevere, which were conveniently discovered by the Glastonbury monks in the 12th century, when the abbey needed a financial boost. Outside the grounds are the abbey tithe barn, which now serves as the Somerset Rural Life Museum (well worth a visit), and 4 miles away at Mere is the abbey’s Fish House, were fish was salted and cured.

The abbey is entered through the Abbey Gatehouse  an imposing arched gateway located on off Magdalene Street. Visitors pass through a fascinating museum depicting life at Glastonbury during the Middle Ages, and then enter the Abbey grounds proper. The first building you see on entering the grounds is St Mary’s Chapel, a roofless structure that boasts wonderful architectural details, from the recessed arches of the door to the repetitive arcading that rings the interior. Look up, where the curious small towers at each corner of the chapel seem almost Georgian in style.

If you continue past the chapel you will soon reach the Abbot’s Kitchen, probably the most recognizable symbol of the Abbey, and subject of numerous postcards! This is a peculiar building, with a high octagonnal tower over a square base bedecked with gargoyles. The interior is notable for the very large ovens and the high dome supported on reed-thin vaulting ribs.

Return from the Abbot’s Kitchen towards St Mary’s Chapel and you will pass a small sign on the green lawn. This marks the old burial ground, where, in the 12th century, monks conveniently found bones beneath an engraved stone indicating the burial place of legendary King Arthur. The bones and those presumed to belong to Arthur’s queen, Guinivere, were reburied within the Abbey Church, where a small memorial can be seen.

The grounds of Glastonbury Abbey emanate a sense of calm and peace; it is truly a magical place, and taken as a whole with the other attractions of this ancient town, make Glastonbury well worth an extended visit.

Visitor Information
Glastonbury Abbey
The Abbey Gatehouse
Magdalene Street
Glastonbury
Somerset
UK
BA6 9EL
Web: http://www.glastonburyabbey.com
Email: nfo@glastonburyabbey.com
 
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THE rain failed to dampen spirits as thousands of Druids, Pagans and tourists gathered at Stonehenge to celebrate the Summer Solstice on Tuesday morning.

About 18,000 revellers from across the country and abroad braved the weather to welcome the longest day at the ancient stone circle.

Although the sun did not make an appearance as dawn broke in an overcast sky, people enjoyed the festival atmosphere with Morris dancers, musicians and people in traditional robes.

The rain stopped before the sun rose at about 4.51am and crowds cheered as the sky started to brighten.

Denny Bartley, who travels from Essex with friends every year for the Solstice, said: “It’s been good – the Solstice is a great opportunity to catch up with old friends and I enjoy being with the other druids.”

Pagan rituals were led by senior druid King Arthur Pendragon at the Heel Stone, which included two pagan marriage ceremonies.

Mr Pendragon said: “It has been a good night. There are a lot of youngsters and a lot of people here asking all the right questions – they’re here for the right reasons.

“A lot of people came here to celebrate the birth of the sun for the longest day.”

Fewer people attended than last year, something which head of Stonehenge Peter Carson put down to the weather and the fact that the Solstice fell mid-week.

“It’s gone extremely well considering how poor the weather was. Everyone has come along and had a fantastic time yet again and they are leaving with big smiles on their faces,” said Mr Carson.

By Hannah White http://www.salisburyjournal.co.uk/

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 The weather may not be anything to write a postcard home about – but the West’s tourism industry enjoyed a twin boost yesterday.

Key visitor attractions featured prominently in the first global TV adverts for a decade and new research showed up to 17 million Brits will holiday at home this year.

VisitBritain, the national tourism agency, yesterday unveiled its international TV campaign to attract overseas visitors to the country.

The adverts will be screened around the world, and include Stonehenge, Glastonbury and the Cotswolds.

Stonehenge is already in the spotlight because of the summer solstice, and VisitBritain say the UNESCO World Heritage Site is one of the most important prehistoric monuments on the planet.

As well as the 5,000-year-old site, there are money Neolithic and Bronze Age monuments in the surrounding landscape, and Avebury, the largest stone circle in Europe, is nearby.

Glastonbury is synonymous with the annual music festival taking place at the weekend, with international superstars such as U2, Coldplay and Beyonce, as well as theatre and circus performers and much more.but VisitBritain also point to the ruins of Glastonbury Abbey, and the iconic Tor, along with myths and legends about the Isle of Avalon, King Arthur, Joseph of Arimathea and the Holy Grail.

The agency adds: “For many visitors, the Cotswolds represent everything that is quintessentially ‘English’, with villages and churches of honey-coloured limestone set among gentle hillsides, cottage gardens, beech woods and drystone walls.”

Historic sites include Sudeley Castle and Chedworth Roman Villa, while VisitBritain urges tourists to sample local produce such as Gloucester Old Spot pork, Tewkesbury mustard and the famous Cotswold cheeses.

Other locations in the TV adverts include London landmarks such as the Houses of Parliament and St Paul’s Cathedral, the Lake District, Snowdon in Wales, Edinburgh Castle and the Highlands.

Celebrities such as actress Dame Judi Dench, fashion icon Twiggy and chef Jamie Oliver – who has restaurants in Bath and Bristol with another opening in Cheltenham this summer – star in them.

The campaign kicks off a major marketing push that seeks to build on the global impact of the Royal Wedding, with the Olympics next year also guaranteeing the international spotlight.

It will concentrate on the current most important tourism markets, such as the US and Western Europe, and the big growth areas for the future, including China and India.

VisitBritain chief executive Sandie Dawe said: “This is our first global TV campaign for 10 years and marks the start of an ambitious marketing programme. With the eyes of the world on us, we have an opportunity to showcase Britain and then to close the sale with great travel deals and offers from our partners.

“This campaign aims to inspire visitors to come and explore for themselves. Over four years, we aim to attract four million extra overseas visitors, who will spend £2 billion across Britain.”

Meanwhile a new survey has found nearly 40 per cent of Britons will stay at home this summer as families strive to balance household finances.

Many of them will instead enjoy ‘staycations’, with the West sure to cash in.

The poll was carried out for savings bank ING Direct, and chief executive Richard Doe said: “It’s not surprising that the summer holiday is often being sacrificed.”

Visiting Britain ? Visit the West Country!

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The Trundle near Chichester, Sussex, is one of the first large monuments built in Britain

The Trundle near Chichester, Sussex, is one of the first large monuments built in Britain

Researchers have developed a new dating technique that has given the first detailed picture of the emergence of an agricultural way of life in Britain more than 5,000 years ago.

 

 

 

 

 

A new analysis of artefacts recovered from the first monuments built in Britain shows that the Neolithic period had a slow start followed by a rapid growth in trade and technology.

Scientists say the new approach can be used to unravel the detailed sequence of events of many more important moments in human prehistory.

It relies in part on radio-carbon dating – counting the amount of a radioactive type of carbon atom in decaying matter. But the methodology also incorporates many other dating sources, together with some powerful statistical analysis, to produce far more discrete timings for happenings in the past.

The Neolithic period in Britain occurred between 4000 and 2000BC.

It was when people took up agriculture as a way of life and stopped being nomadic hunter-gatherers.

It also saw the emergence of trade across the British Isles and the development of new technologies. But until now, we have had only a rather coarse picture of the chronology of events during this eventful period in our history.

The new analysis by Dr Alex Bayliss, an English Heritage dating expert, has brought the occurrences of that time into sharper focus.

“We can start to tell a bigger story and write a history for the prehistory of Neolithic Britain,” she told BBC News.

“What we thought before was very imprecise. We simply knew that all sorts of different sites and all sorts of new kinds of practices started to happen sometime in the 500 or 600 years of the early Neolithic in Britain.

“We’ve actually now been able to give a timetable, or story of what happened when, to disentangle these things so that we can start to see why certain things may have followed others.”

According to Dr Bayliss’s analysis, Neolithic farming practices began in south-east England probably a few decades before 4,000BC. But then they spread very, very slowly, taking about two centuries to reach western parts of England. And then, she says, there was a sudden increase in activity.

“Monuments, cattle, sheep, the whole farming way of life, bursts across Britain and suddenly – having taken 200 years from getting from Kent to Gloucestershire – it then takes 50 years to get from Cheltenham to Aberdeen.”

The new dating also indicates that by 3700-3800BC, early Britons had developed pottery with regional styles of decorations. Long-distance trading networks were also being established in stone axes and certain other types of pottery

Windmill Hill, a large Neolithic causewayed enclosure in Avebury, was previously thought to have been built around 3700-3100 BC. The new dating shows it was built in 3700-3640 BC
Windmill Hill, a large Neolithic causewayed enclosure in Avebury, was previously thought to have been built around 3700-3100 BC. The new dating shows it was built in 3700-3640 BC

Of particular interest are the first monuments that were built in Britain, called causewayed enclosures. These were made up of concentric rings of ditches and banks – the largest of which can span 300m (1,000ft).

It had been thought that they spread slowly across the country over five centuries. But the new dating approach suggests they spread rapidly within 75 years.

This revelation has been described by archaeologists working on the project as Britain’s first “building boom”.

Professor Alistair Whittle of Cardiff University said: “With more accurate dating, the Neolithic period is no longer the sleepy, hazy swathe of time where it is the default position to lump everything together.

“This research fundamentally challenges the notion that little happened among our Stone Age farmers. We can now think about the Neolithic period in terms of more rapid changes, constant movement of people and fast diffusion of ideas.”

Collective violence

One interpretation of these events is that once the initial “pioneer” phase of the Neolithic period was over, independent groups of people came over from the continent and set up villages across Britain and social structures began to form.

These social structures led to the construction of the enclosures for people to gather and possibly for chieftains to emerge and amass power.

The new dating suggests that there was more collective violence once the enclosures were built. Several of them, particularly in western Britain, were attacked by large numbers of people with showers of arrows, and enclosures’ ramparts were burned down.

This indicates that the enclosures created a hierarchy that was being contested in some way.

The new dating technique involves comparing carbon dates with other markers in the archaeological record. On its own carbon dating is imprecise, but when it is cross-reference with documented events it allows researchers to more accurately date artefacts.

Researchers say this new methodology could in principle be used shed further light on any significant event in our prehistory, such as the emergence of farming in China and the collapse of the Mayan civilisation in the Americas.

 

A reconstruction of the Whitehawk causewayed enclosure in the South Downs, Sussex
A reconstruction of the Whitehawk causewayed enclosure in the South Downs, Sussex

Why not visit Windmill Hill and nearby Avebury and learn more about Neolithic Britain?

Stonehenge and Avebury stone Circle Tour Guide
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Bath | Stonehenge | Paganism | Ley Lines| Druids | Masonic Lodge

It is said that the Circus is joined to the Royal Crescent by a ley-line, that they

The Royal Circus is the same circumference as Stonehenge

represent the sun and the moon, and that Brock St which links them is the most paranormally active street in Bath!  The circumference of the Circus also matches – almost exactly – that of the inner circle of rocks at Stonehenge, the most famous druid monument of them all.

The Circus really does epitomise the elegance of Georgian Bath. Beautiful curved terraces of Bath limestone sweep round in a circle, and it doesn’t take much to imagine the ladies and gentlemen of society on this street. So charming and respectable – but look closer….

The Circus was designed by the architect John Wood, who had a fascination with Paganism. He incorporated his interest into the buildings around the crescent, all of which are adorned with Pagan and naturalistic carvings such as pan pipes and mystical figures, each one quite individual. At the top of each house is an acorn. The circular crescent represents the sun, and the Royal Crescent, which he also designed, represents the moon. It is said that the road that connects the two is an ancient ley line.

John Wood the Elder – Stanton Drew Circle and Stonehenge.

Bath is famed for its neo-classical architecture but what underpins the thinking of the 18th century architect John Wood when he drew the designs for The Circus is a strange mish-mash of legend and myth, this of course is the age of the new ‘druidism’ that took hold when such figures as William Stukeley called such places as Stonehenge the Druidical Temple.

Fertile imaginations played with the ideas of sacrificial wicker constructions filled with victims, and Wood took it much further and in his book – A Description of Bath, he writes a history for Bath that is at once absurd yet full of that energetic imaginings that are still to be found in today’s new age books.

To understand why Wood designed The Circus as he did one must go back to the myths that formed the literature of the 18th century. Wood, though including neo-classical forms in the building, was not returning to a Roman past but a pre-Roman past steeped in the myths of a Britannic origin. The myth can be found in the 12th century writings of Geoffrey of Monmouthshire, and according to (R. S. Neal – Bath, A Social History) a 16th century edition of Monmouth’s book written in Paris was very much alive in the oral tradition of Bath. Putting stone circles and Druids together seems rather strange, but Wood thought that the chief ensign of the Druids was a ring.

So as he began to plan his city on paper, he incorporated the pagan elements, but also he was relating the pagan symbol of the circle back to Jewish symbolism, therefore Christian, and then British and Greek, which led quite nicely to the “Divine Architect” who was of course God. This is all creative flummery, a mixing of ideas, so when we look at The Circus we see classical lines, but with little touches of druidism – in the acorns that sit atop the surrounds of the roofs – and the frieze which incorporates specific symbols of Masonic details.

First  though must come the story of Bladud, the founding father of Bath, an exiled prince because of his leprosy, whilst out herding pigs one day happened to notice that the pigs loved to roll in the hot muds of the spring. Bladud also tried this and was cured, and then went on to found the city of Bath on the spot. Our mythical King Bladud is given a date of 480 BC, and as Wood saw it Bladud created the city about the size of Babylon. Bladud was a descendant of a Trojan prince, a high priest of Apollo and a ‘Master of Pythagoras’. Therefore this high priest was a devotee of the heliocentric systems of the planets from which the Pythagorean system was derived. That the Works of Stantondriu (Stanton Drew) form a perfect model of the Pythagorean system of the planetary world

Do the 108 acorns on the parapets refer to the story of ‘Prince Bladud’ (the founder of Bath) or a reference to the Druids and oak trees ?

At Stanton Drew it must have taken him many hours, with his assistant wandering round taking measurements of the circles, which were probably at this time partly covered in orchards. There was a precedence for this fascination with megalithic stones, Stukeley and Inigo Jones were all entranced by these heathen stones of an earlier age, and the development of myths round druidic religions were already forming and capturing imaginative minds – a bit like today.

Now Stanton Drew was, according to Wood, the university for British Druids, which thereby made Bath the metropolitan city seat of the British Druids. ‘And since there is an apparent connection between the ancient works of Akmanchester (Bath) and those of Stantondriu, it seems manifest that the latter constituted the University of the British Druids; that this was the university which King Bladud, according to Merlyn of Caledon planted; that it was at Stantondrui the king feated his four Athenian colleagues and that they were not only the heads of the British Druids in those early ages, but, under Bladud, the very founder of them‘ 

The Circus is based on a diameter of 318 feet, Wood’s rough measurements of the circumference of the stone circle at Stonehenge, the terraced houses form a perfect circle around a ‘timber’ circle of planted trees in the centre. There is an early drawing by J.R.Cozens which shows hitching stone post for the horses arranged symmetrically round the The Circus which would give the allusion of stones.

Wood also incorporated into his thinking the hills around Bath, giving them various titles such as Sun and Moon Hill, and The Parade is also aligned on Solsbury Hill which had an Iron Age settlement on top. The Royal Crescent built by his son John Wood the Younger, was crescent shaped representing the moon.

Where you might ask is the masonic symbolism, well it is only seen from the air, taking The Circus as the round part of the key walk down Gay Street to Queens Square which is square, and you will see the ‘key’ of Bath.

What is a Ley Line?
Ley lines are alleged alignments of a number of places of geographical interest, such as ancient monuments and megaliths, natural ridge-tops and water-fords. Their existence was suggested in 1921 by the amateur archaeologist Alfred Watkins, in his books Early British Trackways and The Old Straight Track. Watkins theorized that these alignments were created for ease of overland trekking by line of sight navigation during neolithic times and had persisted in the landscape over millennia.  In more recent times, the term ley lines has come to be associated with spiritual and mystical theories about land forms, including Chinese feng shui.

 I wonder if the fashionable Georgians who lived in these houses knew of the symbolism?
Links:
Stonehenge and Bath Tour Guide
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What was there before Stonehenge?

Stonehenge is a multiphased monument ie built in phases over a long period of time. It was built between 3000 and 2000 BC, but is part of a much larger ceremonial landscape which dates back somewhere up to 10,500 years ago. The earliest monuments in the landscape are markedSite of mesolithic post holes in the car park at Stonehenge by 3 small white discs on the tarmac at the lower end of the car-park. Chances are you will drive over them if you visit! The white discs mark where wooden postholes stood during the early mesolithic – the hunter gatherers – at least 3,500 years before the first phase of Stonehenge.Later features which predate Stonehenge that can still be seen are the Cursus and barrows or burial mounds. You will need more time or to go on a specialist tour to see these features.

Early ditch and bank at Stonehenge.

Though people had been meeting and using the landscape for some considerable time beforehand, the first phase of Stonehenge dates to between 3000 and 2920 BC with the creation of a ditch with internal bank. The bank has the appearance of a ‘…string of sausages’ and may have been upto 2m high though it is now much eroded.The dating of this part of the monument is believed to be fairly accurate because of the large amount of good dating evidence from antler and bone found in the ditch. After that the date for every other stage of Stonehenge is somewhat tenuous and subject to great debate.

Was there a timber phase at Stonehenge?

At the moment the theory is that from its beginnings to around 2600 BC there was a timber phase at Stonehenge. This included 56 timber posts just inside the bank and the post holes were later filled with cremated human remains and now known as Aubrey holes.In 2008 Aubrey hole 7 was opened by the Stonehenge Riverside Project and it looks more like a hole for a stone rather than timber. It may be that stones were here from the start rather than later. The results from the most recent dig are due out in 2011 so we may have the 3rd major rewrite of the Stonehenge story within 20 years!

Early stone phase.

Current dating assumptions suggest the first stones to arrive were the ‘bluestones’ from the Preseli Hills in west Wales. Bluestones inside StonehengeBluestone is a generic term for several types of volcanic rocks and each of them at Stonehenge weighs 4 – 6 tons.They are the ones that stand about man height as one looks into the stones. They don’t look blue until dressed (ie shaped) and the outer covering of the stone removed.You can how blue on a tour out of hours to the inner circle.
The bluestones were originally set in double concentric arcs with the open end facing the south/southwest. When removed they were filled are now known as Q & R holes.
Artist's impression of bluestone henge discovered in September 2009.In its final layout there are estimated to be 79 or 80 bluestones. An exciting discovery in September 2009 at the end of the Avenue where it meets the River Avon was a series of stone holes possibly holding bluestones. This ‘Bluestone’ henge may have held 24 stones. If the 56 Aubrey holes held stone rather than timbers it may be that there were two separate monuments that became united as the finishing phase of Stonehenge.

Late stone phase.

Around 2400 BC sees the arrival from 19 miles to the north of 75 sarsen stones. A very hard form of silicified sandstone it lies on or just below the ground surface. A circle of 30 uprights were erected in the outer circle each weighing around 25 tonnes. These were topped with 30 lintels each weighing 6 – 7 tonnes. Jointing to sarsens at Stonehenge.The lintels don’t rely on gravity to keep them in place they have mortice & tenon, and tongue & groove joints that we would normally find in a wood setting, but in stone. Each of the lintels also has some shaping on the inner and outer circular face to produce not far off a perfect circle.

The 5 trilithons (tri=3, lithon=stone) stand like a set of croquet hoops arranged in a horshoe shape in the centre of the circle. They step up in height as they go from the outer two to the remains of the Great Trilithon in the centre. Only 3 of the 5 trilithons still stand.

Final phase.

Around 2000BC the bluestones were re-erected. The altar stone was placed in the circle. Some realignments of external stones took place.

What is Stonehenge for?

Hundreds if not thousands of theories abound. A temple to the sun? Probably, but more about winter solstice sunset after which the days get lighter and warmer, rather than the more popularly attended summer solstice sunrise. A necropolis? Certainly. There are probably more than a tousand burials in the immediate area. Druidic temple? Probably not. They were a later ‘priesthood’ and the neo druids are an 18th century invention. A mystery?. Certainly.

Links:  http://www.english-heritage.org.uk/daysout/properties/stonehenge/
http://www.StonehengeTours.com#

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Chalk from Hampshire is used to re-chalk the ancient Wiltshire hill figure

Chalk from Hampshire is used to re-chalk the ancient Wiltshire hill figure

A restoration group is appealing for volunteers to help re-chalk one of Wiltshire’s oldest hill figures.

The Cherhill White horse, cut into the Marlborough Downs, is owned and maintained by the village of Cherhill.

The 232-year-old hill figure underwent a major facelift in 2002 after losing both its whiteness and its horse shape.

Since then the 18th Century landmark, the second oldest in the county, has required a “re-chalking” every two years.

“It had been continuously scraped to reveal fresh chalk but that left a three foot cliff at the top of the horse,” said the restoration group’s chairman, Rob Pickford.

“Now we top it up with extra chalk to level it with the surrounding ground.”

Yellow horse

The horse, one of nine such monuments in the county, requires up to 10 tonnes of chalk to restore it to its former splendour.

The chalk, funded by donations from visitors to the Downs, is being “brought in” after the last chalk quarry in the county at Mere closed down.

“The first top dressing we did we got the chalk from Somerset,” said Mr Pickford. “It was very yellow with bits of grey flint in it so we ended up with a yellow horse with grey spots. This year we’re getting it from a quarry in Hampshire.”

Natural erosion from the weather is normally responsible for the discolouring of the ancient monument.

However, this year’s unusually dry and sunny conditions have “bleached the chalk”.

“It’s looking quite white at the moment but in February it was looking particularly grey,” said Mr Pickford.

“And some of the boards used to hold the chalk in place have become exposed, so it does need top dressing.”

The re-chalking is due to take place on Saturday 14 May and is expected to take up to six hours.

Volunteers are being asked to meet at the Black Horse car park at 9:30 am “armed with spades.”  I am taking the kids and a picnic – see you there ?

Wiltshire’s White Horses

The Wiltshire Countryside is famous for its white horse chalk hill figures. It is thought that there have been 13 white horses in existence in Wiltshire, but only 8 are still visible today.

The oldest, largest and perhaps the most well known white horse is carved into the chalk hillside across the border in Oxfordshire. Little is known of the history of the Uffington White Horse, but it is believed to have influenced the cutting of the subsequent Wiltshire horses.

The first of the Wiltshire white horses to appear was at Westbury in 878AD, although this figure is no longer visible as a new horse was cut on top in 1778. The most recent horse was cut on the hill above Devizes to celebrate the Millennium.
Links:
http://www.bbc.co.uk/news/uk-england-wiltshire-13294489

http://www.wiltshirewhitehorses.org.uk/
http://www.StonehengeTours.com
http://www.visitwiltshire.co.uk/site/things-to-do/attractions/history-and-heritage/white-horses
We continue to offer private guided tours of Wiltshire that include ‘Chalk Hill Figures’

Wiltshite Tour Guide
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Durrington Walls Excavations“Excavations at the site of the former MOD Headquarters at Durrington have revealed deposits dating to the Late Upper Palaeolithic (Late Glacial) c. 12,000BC and evidence of human activity from the late Neolithic (2550-2200 BC) through to the modern period, with the main focus of activity dating from the Late Iron Age c.100BC to Romano-British period (AD43-410). The site is located within an archaeologically rich landscape just 1km north of the Neolithic Durrington Walls henge and between the Romano-British settlements at Figheldean and at the Packway enclosure to the north and south respectively.

Two monumental Neolithic posthole alignments, which appeared to follow the contours of high ground, contained Grooved Ware pottery. Potentially contemporary with these alignments was a natural swallow hole or sink hole 25m across which had been consolidated with a flint pebble surface which created a metalled platform covered with flint knapping debris and a broken late Neolithic flint axehead or chisel. In the Iron Age, the site comprised a number of paddocks and small fields, formed by shallow gullies and ditches.”

Full story here: http://www.themodernantiquarian.com/post/95719/news/mod_durrington.html

Reklative links: http://en.wikipedia.org/wiki/Stonehenge_Riverside_Project
http://www.sheffield.ac.uk/archaeology/research/stonehenge

Stonehenge Tour Guide
HisTOURies UK – The Best Tours of Wessex

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Modern tourist attractions such as the London Eye and Cornwall’s £86 million Eden Project rank alongside historic sites including Stonehenge among the “Seven Wonders of Britain”, according to a survey published today.

The British equivalent to the original Seven Wonders of the World span a 4,000-year period from prehistoric Stonehenge in Wiltshire to the 450ft wheel which was erected on the South Bank of the River Thames to mark the millennium.

The remaining four attractions on the list were Big Ben and the Houses of Parliament, York Minster, Windsor Castle and Hadrian’s Wall.

More than 2,500 adults from across Britain took part in the survey, which was commissioned by the Yellow Pages telephone directory.

A parallel survey of teenagers aged between 13 and 17 also recognised traditional attractions but listed Staffordshire theme park Alton Towers as one of their favourites.

Both adults and teenagers agreed on their choice for the Eighth Wonder of Britain – defined as a culturally significant site that is not currently regarded as a tourist attraction – by selecting the Angel of the North, Antony Gormley’s giant sculpture on the outskirts of Gateshead.

Alan Britten, English Tourism Council chairman, said: “It’s the mixture of old and new attractions that is a source of fascination for overseas tourists and a source of pride among the people who live here.

“The Yellow Pages survey reflects our own experience of the endless allure of these ‘must-see’ sites. They are the crown jewels of our tourist attractions.”

John Condron, chief executive of Yell, publisher of Yellow Pages, said: “We hope this timely survey encourages people to get out and explore or rediscover the ‘Wonders’ in their own regions.”

 
The ‘seven wonders of Britain’


The London Eye and Eden Project rank alongside historic sites such as Stonehenge among the ‘seven wonders of Britain’, according to a survey commissioned by Yellow Pages. Here, in no particular order, are the seven winners.
 
Big Ben Big Ben, London
Photo: Peter Jordan, PA
 
Hadrian's Wall Hadrian’s Wall, Northumberland
Photo: John Giles, PA
More arts news
 
Eden Project Eden Project, Cornwall
Photo: Barry Batchelor, PA
 
London Eye London Eye
Photo: Martin Argles, Guardian
 
Windsor Castle Windsor Castle, Berkshire
Photo: Tim Ockenden, PA
 
Stonehenge Stonehenge, Wiltshire
Photo: Sean Smith, Guardian
 
York Minster York Minster, Yorkshire
Photo: John Giles, PA
 
The ‘eighth wonder of Britain’


Angel of the North Angel of the North
Antony Gormley’s giant sculpture on the outskirts of Gateshead, the winner among ‘culturally significant sites not currently regarded as tourist attractions’.
Photo: Owen Humphreys, PA


Good choice!
The Best Tours in British History
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