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Archive for the ‘Salisbury Guided Tours’ Category

The Festival returns in 2011 with a packed programme of theatre, dance, circus, film, music and spoken word in locations around the historic city.

On the Festival’s opening night the sky becomes a stage in a performance by world famous Argentine company Voalà.The programme also includes a new music commission, WhereTwo Worlds Touch; outdoor performances of classic Shakespeare;and a performance by Jasmin Vardimon Company.

Read Salisbury International Arts Festival Brochure 2011 – Download

This year’s programme will reflect a focus on the themes of China, Dance and Air, and events will take place across the region in locations as diverse as Salisbury Cathedral, Old Wardour Castle and Stonehenge.

Background to Salisbury Festival
The Festival blazed into life in July 1973. Since then, over a million people have enjoyed outstanding performances of theatre, dance, film and every kind of music, plus literary events and the visual arts. From mid-May to early June each year, the beautiful historic city of Salisbury is transformed as people flock to the Festival, enjoying both ticketed events and free performances

If you are in the UK during May and June this year why not come and stay in Salisbury during this wonderful event.  Even take a tour to Stonehenge ?

http://www.salisburyfestival.co.uk/

Stonehenge and Salisbury Tour Guide
HisTOURies UK – The Best Tours in Wessex

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A new film about King John further underlines history’s judgement of the medieval English monarch as a cruel tyrant. But among the dozens of bad kings and despots, why is John always the pantomime villain?

Paul Giamatti is the latest to play King John as a villain in Ironclad

Paul Giamatti is the latest to play King John as a villain in Ironclad

Surrendering lands in France, forced into a humiliating climbdown with the nobility and excommunicated by the Church. Not to mention being blamed for the murder of his nephew.

The medieval reign of King John has been characterised by disaster and his reputation languishes among the lowest for all the kings and queens of England.

This poor standing is illustrated by his persistently negative appearances in British cultural life 800 years on. Depictions on television, stage and big screen, particularly in Robin Hood films, usually present a man who is treacherous and weak.

In 1938’s The Adventures of Robin Hood, John (played by Claude Rains) is an overtaxing oppressor, while Disney’s Robin Hood showed John as a cowardly lion sucking his thumb.

A new film Ironclad, released in the UK on Friday, stars American actor Paul Giamatti as the villainous king laying siege to the noble barons in Rochester Castle, in the civil war that followed the signing of Magna Carta.

So why do we always like to bash King John?

Make no mistake, he was a bad king, says John Hudson, of the Institute of Medieval Studies at the University of St Andrews.

“He was a very considerable failure as a king. He loses a large amount of possessions inherited, in particular lands in France, like Normandy and Anjou. He manages to surrender his realm to the pope and ends up facing a huge baronial rebellion, a civil war and a war with France. In terms of failures, he is one of the worst kings.”

And his unpleasant personality compounds his mistakes, says Professor Hudson. Trying to seize control of the throne while his brother, King Richard I, was imprisoned abroad, lost him the trust of the people long before he became king himself.

“A lot of very effective medieval kings are cruel and inspire fear but he hasn’t inspired trust. For people to trust a king and fear him is essential but people don’t trust him.

“People wanted someone to be heroic and not to interfere with their lives. But John was a king who did interfere and wasn’t heroic.”

But it’s simplistic to portray John as simply evil and Richard good, like in some of the Robin Hood films, he says. At least The Lion in Winter, starring Katharine Hepburn and Peter O’Toole as John’s parents Eleanor and Henry II, portrays the family tensions acutely and gives a sense of the personal power struggles within the Plantagenet dynasty.

John grew up in a feuding family. He was born in Oxford in 1166, the youngest and favourite son of Henry II. When John was five, three of his brothers plotted against their father to seize the throne, enlisting the help of Louis VII of France and their own mother, Eleanor of Aquitaine.

The rebellion was short-lived but Henry II punished his wife by imprisoning her for 16 years. On Henry’s death in 1189, John’s brother Richard became king but he nominated his nephew, Arthur, as heir. John tried unsuccessfully to instigate a coup while his brother was in prison, captured on his way back from fighting the Crusades.

The popular image of John as a cruel tyrant began a few years after his death in 1216, after a turbulent 17 years on the throne. The chronicles of Roger Wendover, a historian and monk at St Albans, and his successor Matthew Paris, included many accounts of cruelty that have since been questioned.

‘John the punchbag’

The Tudors were more sympathetic to him, although Shakespeare’s The Life and Death of King John provides a mixed portrayal of the monarch as treacherous and ruthless, but also patriotic in standing up to Rome.

But it was the Victorians who made King John the pantomime villain he is today, says Paul Sturtevant, who is researching Hollywood depictions of the medieval period, at the University of Leeds.

“The Victorians used King John as a punchbag. Prior to the 18th and 19th Century, Robin Hood was not put in a historical place. It wasn’t about the monarch at all, just Robin Hood and his adventures.

“So the Robin Hood stories being placed in John’s reign is a recent thing. He’s portrayed as a pantomime villain because a number of accounts from the time suggest that people found him quite unpleasant as a person. So the question is to what degree those sources are accurate.”

The Victorians latched on to John’s moral failings like his cruelty and his sexual deviancy, taking mistresses married to barons, and this repulsed their newly-formed idea of medieval knights as perfect gentlemen.

“To the Victorian mindset, he was everything they didn’t want in an English king. They re-imagined the period in terms of courtly love and chivalry.”

Most historians would agree he was quite a bad king but whether he was a caricature of evil is another question entirely, he says.

King John at Runnymede John’s most famous moment is signing the Magna Carta

“Almost all the depictions of King John out there are Robin Hood ones and as a result he’s the villain, either bumbling and idiotic or in the Disney animation he’s a lion who sucks his thumb. He’s infantile, with a snake as a patsy.”

The truth is that he was an inept politician but he wasn’t a tyrant, says Mr Sturtevant. His conflicts were not with his subjects but with barons, the Pope or the French.

“I see him a bit like Barack Obama in so far as he inherited a nightmare situation from his predecessor but because he was a bad politician he didn’t help himself to get out of it.

“Richard still has a really good reputation as the heroic lion-hearted king but he spent only six months of his life in England and the rest either on crusade in Holy Land or at war in France.”

To pay for his foreign wars, not to mention a huge ransom when he was captured, Richard had raised taxes far higher than any level England had experienced. By the time John was crowned king, the cupboard was bare, but his fiscal demands led to unrest.

Mike Ibeji, who researched King John for Simon Schama’s History of Britain on the BBC, says it was in the interests of those who put John’s successor Henry III on the throne to portray him negatively. King John was very unlucky, he says, but he also made his own bad luck.

There are several times during John’s reign where he actually has the upper hand, where he’s in a position where if he just does things the right way, he’s going to end up succeeding in what he’s trying to do.

“But he always overplays his hand and goes too far because he’s in a position of power and can’t rein back. So he doesn’t have a sense of scale and that’s his biggest problem.”

For example, he quelled a rebellion in France but when his nephew and enemy Arthur then dies in his custody, the finger of suspicion points at John and the revulsion felt in France renews the revolt and leads to defeat. A kingdom that once stretched from the Scottish border to the Pyrenees was falling apart.

What John will always be remembered for, apart from antagonising Robin Hood, is signing Magna Carta, which limited royal power and restated English law. And some of his defenders say that at least he provoked the barons into introducing one of history’s most famous documents.

In the History of the English-Speaking Peoples, Winston Churchill wrote: “When the long tally is added, it will be seen that the British nation and the English-speaking world owe far more to the vices of John than to the labours of virtuous sovereigns; for it was through the union of many forces against him that the most famous milestone of our rights and freedom was in fact set up.”
http://www.bbc.co.uk/news/magazine-12603356

Visit Salisbury Cathedral in Wiltshire on a private guided tour and view the original Magna Carta

Salisbury and Stonehenge Tour Guide
HisTOURies UK – The Best Tours in History

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Things that go bump in the night at Salisbury Guildhall
Strange noises heard at Salisbury’s Guildhall whilst restoration work is being carried out have encouraged stories that the building is haunted.

Salisbury Guildhall

Salisbury Guildhall

 

Those working at the centuries-old building in Market Walk in the city have reported unexplainable knocking and rattling sounds.

The building has long been rumoured to be haunted.

The Guildhall of today is the fourth such building to occupy this position within the City of Salisbury.

The first Guildhall dates back to Tudor times, when it was known as “The Bishop’s Guildhall”.

Then, the building was under the control of the Bishop, from where he exercised his feudal rights of criminal and civil justice.

Civil War

Salisbury was relatively isolated from the Civil War but there were a few occasions in which skirmishes took place. One such incident took place at the Guildhall in March 1655.

The Cavalier Colonel Penruddock’s rebels stormed the building and kidnapped the Assize judges and the High Sheriff of the county, and freed the inmates of the gaol.

This building is steeped in history and it has seen some things in its time and I imagine there’s one or two people still left in there who should have maybe left a while ago
Claire Burden, Salisbury City Council

It is said that the sounds of gunshots and screaming have been heard in the building ever since.

Salisbury City Council’s business manager, Claire Burden, who is overseeing the £1.3m renovation of the Guildhall said: “The building has a lovely friendly atmosphere but other people have come in in the past and said ‘oooh there’s something in here’ and now our builders have reported hearing rattling doors and creaking floorboards and all that sort of stuff in there.

“This building is steeped in history and it has seen some things in its time and I imagine there’s one or two people still left in there who should have maybe left a while ago.

“They’re all welcome to stay. It’s part of what keeps this building wonderful and what keeps people interested in it!”

http://news.bbc.co.uk/local/wiltshire

Salisbury Ghost Tours
SALISBURY CITY GUIDES is a grouping of individual professional tourist board qualified Blue Badge guides committed to tourism in Salisbury, England and to the surrounding area. We have an entertaining range of walks and tours of interest, both to the general visitor and the specialist, which we can tailor to specific requirements. We welcome enquiries from groups needing a special service to accommodate disability, to cater for a particular interest, or to enhance an existing itinerary.
They offer two tours of Salisbury:

THE CITY WALK . This 1½ hour guided tour will take you through the centre of the city to the Cathedral Close. Along the way your guide will tell you about the origins of the mediaeval city, its history and the reasons for its prosperity. They will draw your attention to buildings and monuments of architectural and historical interest, and link them to some of the City’s characters.

THE GHOST WALK. Let the guide introduce you to a cast of past inhabitants and the reason why they find it impossible to leave.
Click here: http://www.salisburycityguides.co.uk/

Stonehenge Tour Guide
HisTOURies UK – The Best Tours in History

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  • The 15ft-high road ran from London to Exeter viaOld Sarum

    It was a route once trod by legionnaires as they marched across a conquered land.

    But, eventually, the Romans left Britain and the magnificent highway they created was reclaimed by nature and seemingly lost for ever.

    Now, some 2,000 years after it was built, it has been uncovered in the depths of a forest in Dorset.
    And, remarkably, it shows no sign of the potholes that blight our modern roads.

    Half-mile long: Laurence Degoul from the Forestry Commission stands on a 15ft-high section of Roman road uncovered in Puddletown Forest in Dorset

    Half-mile long: Laurence Degoul from the Forestry Commission stands on a 15ft-high section of Roman road uncovered in Puddletown Forest in Dorset

    Constructed by the Roman invaders as part of a route from London (Londinium) to Exeter (Isca), the 85ft wide earthwork stands more than 15ft high and consists of a sweeping road with deep ditches at the side.

    It was so densely covered by trees, however, that although its existence was known about, it simply could not be found until now.

    One of the country’s first roads, it was uncovered when the Forestry Commission, acting on advice from English Heritage expert Peter Addison, cleared the Norway spruce fir trees in Puddletown Forest.

    Mr Addison said it was the biggest Roman road he had come across and that it was probably designed to make a statement. It is thought that it might have been built shortly after the Roman conquest in the first century and its scale would have been chosen to intimidate people living nearby.

    The sight of a Roman legion marching along it would surely have had the desired effect.
    It is thought the road would have been made from layers of gravel and the fact it still exists is testimony to the skills of the builders.

    There is a central cobbled ‘street’, which would have been used for rapid troop movements, and outer ‘droving’ roads for livestock, as well as ditches for water drainage.

    Mr Addison said: ‘It’s extraordinary. It has been known about but when the Forestry Commission wanted to find it, they struggled.

    ‘The trees were planted so tightly it was difficult to move through them. But they called me in and I managed to find it.

    ‘It is part of the road that goes from Badbury Rings to the fort at Dorchester and was part of the network of roads from Old Sarum (now Salisbury) to Exeter.

    Artist's impression: The Roman road being built in the Dorset forest 1,900 years ago

    Artist's impression: The Roman road being built in the Dorset forest 1,900 years ago

  • It is absolutely huge and unlike anything I have ever seen. Here you have a large road with huge ditches either side. It is raised very high which is unusual. It is only speculation, but the height might have been to make a statement.

    ‘It is thought this was a road made early in the occupation and not used for long. If so, then it would have been incredibly impressive to the local people.

    ‘In other parts of the forest we know the road was made using gravel and they probably used layers to build up the agger (embankment). They built ditches on either side to act as soakaways to prolong the life of the road.

    ‘But more work needs to be done to find out these details.’

    It is hoped that archaeologists will be able to examine the road.

    A Forestry Commission spokesman said it would not be planting any more trees on it.

    The road will probably be grassed over in the future, he added.

    ‘We have painstakingly uncovered one of the UK’s most remarkable sections of ancient Roman road,’ the spokesman said.

    Wessex Tour Guide
    HisTOURies UK – The Best Tours in History

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    Bruce Munro’s ‘Light Shower’ is now installed high in the Cathedral’s Spire Crossing where, from Monday 29 November, it will be switched on all day and light will cascade through the fibre optics to the 2,000 teardrop shaped diffusers. Light as gossamer, Light Shower is simply incredibly beautiful. It will stay in the Cathedral until the end of February.

    Light Showers Number Crunching:
    40,000 metres of fibre
    1984 teardrop diffusers
    32 rows of 64 drops
    8 x 150 watt metal halide projectors
    400 man hours to make
    232 man hours to install

    Bruce Munro’s Water Towers, a maze of huge towers made of stacked recycled water bottles, will be installed in the cloisters in early January 2011. They are illuminated with fibre optics powered by energy-conserving LED lamps, and will change colour synchronized to choral music.

    Bruce Munro’s work is currently showing at ‘Contemplating the Void’ at the Guggenheim in New York. His acclaimed Field of Light was seen at the Eden Project in 2008/9. “I am deeply honoured to be invited to show at Salisbury Cathedral” says Munro. “It is a truly amazing building, a magnificent example of English Medieval architecture and craftsmanship.

    His new exhibition starts the Friday (14th) at the Cathedral
    Salisbury Cathedral: http://www.salisburycathedral.org.uk/
    Salisbury, Wiltshire, The South of England. The city of the oldest clock in the world and neighbour of the most famous megaliths in the world.

    This display is well worth a visit!
    Salisbury and Stonehenge Tour Guide
    HisTOURies UK – The Best Tours in Wessex

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    When we thing of chalk hill figures in Wiltshire we all immediatly think of ‘chalk horses’, however Britain has many other chalk hill figures scattered across the British Isles – some new, some old.
    Just west of Salisbury and close to Stonehenge is the Fovant Badges:

    The Fovant Badges, Wiltshire
    The Fovant Badges, Wiltshire

    History of the Fovant Badges
    When the 1914-1918 war broke out, there was a need to find accommodation for the New Army. In many areas, training and transit camps were established for troops leaving for, and returning from, the battlefields in northern France. One of these areas was the village of Fovant, in Wiltshire and its neighbours Compton Chamberlayne and Sutton Mandeville. The villages and the fields in the shadow of the chalk downs became a military camp, complete with barracks, a hospital, parade areas, shooting practice ranges, a camp cinema and YMCA huts. A military railway was constructed to serve the camp, branching off the main line railway from London to the southwest

    Thousands of men from all parts of Britain and overseas lived for a while in the area, passed on to the Western Front and returned from it. Many never returned but gave their lives on the battlefields in France. Others died of their wounds in the hospital or from disease. Rows of silent War Graves in Fovant and other nearby churchyards are testimony to their presence. In remembrance of their colleagues, many of the regiments carved into the hillside replicas of their cap badges. Many of these no longer survive, but by the end of WW1 there were some twenty discernible badges.

    Local workers from Fovant and the surrounding villages, supported by Regimental Associations maintained the Badges after WWI. During WWII, the badges became overgrown in order to disguise landmarks, which might assist enemy aircraft. Weather and time, as well as the effects of grazing cattle, caused decay. After the end of WWII, the Fovant Home Guard platoons formed themselves into an Old Comrades Association and undertook the task of restoration. It was in the period of 1948/51 that the two Wiltshire regimental badges were cut and in 1970 the Royal Signals badge was added.

    In 1961, the Old Comrades Association was reformed as ‘The Fovant Badges Society’ with redefined, more positive objectives related to the maintenance and preservation of the Badges and the holding of the annual Drumhead Service. The Society became a charitable organisation and in 1994 adopted a new constitution, which governs its operation and objectives; these are the preservation and maintenance of the Regimental Crests cut on the chalk downs.

    The Society was determined, aided by much public and international interest, that the Badges should remain an historic, fitting and truly visible memorial to the soldiers who passed through Fovant and its neighbouring villages on their way to the Great War, many never to return.

     

    By 2000, there were only twelve discernable badges on the downs. A new management structure was put in place and, in consultation with professional civil engineers, a survey of the condition of the badges was made. It appeared that the Fovant Badges were unique in their detail and posed difficult restoration problems relating to the slope of the hill, the complexity of design, and their sizes. These vary; the Australian Badge, the largest, measures 51m x 32m, which is just under half the area of a football pitch.

    The Trustees, faced with a potential bill of £350,000 upwards for restoration and large annual sums for increased maintenance thereafter, realised that the task facing them had to be brought to realistic proportions. They decided, with much sadness, that the objective should be the restoration and maintenance of the military crests on Fovant Down. These are clearly visible from a lay-by in Fovant whilst passing along the A30 road between Shaftesbury and Wilton. There is also a public footpath from the road to the village of Broad Chalke, which passes by the area of the Badges. This inevitably meant that the Map of Australia on Compton Down and the crests of the Royal Warwickshire Regiment and the 7th Battalion, City of London Regiment on Sutton Down would continue their decline. These badges would, in addition, have posed intractable problems because of the nature of the ground and their more advanced state of decay. Also, the YMCA badge on Fovant Down would be allowed to fade away.

    Since the badges lay on open private farmland, with the movement of cattle unrestricted, it was clearly essential that large expenditure had to be used with good effect. A crucial first step was, therefore, to ensure the long lasting protection of the Badges. In co-operation with the farm owners, application was made to English Heritage to have the Badges scheduled as Ancient Monuments. Scheduling was granted in 2001 by the Department of Culture, Media and Sport placing all twelve badges, including those not being restored, under the protection of the government.

    The estimated cost of the more limited objective was £220,000 and a national appeal was formally launched at the annual Drumhead Service in July 2001. The response to this was very positive and sufficient sums were assured by the end of 2001 to allow work to commence in 2002. Work experience by contractors, Dean and Dyball Construction Ltd, Ringwood, and favourable weather in 2002 allowed more work than anticipated to be done. This led to five badges being restored in 2002 and the remaining three (including the Royal Signals Badge who undertake their own maintenance and restoration) were completed in 2003.

    The appeal has been successful. We are enormously grateful to our many benefactors – too large to name them all – but special mention must be made of the significant support given by the Heritage Lottery Fund, the Daily Mail And General Trust, the Pilgrim Trust, the Clothworkers’ Foundation, the Australian Department of Veterans’ Affairs and Salisbury District Council. And also to the very many private donations from throughout the country.

    The Badges were originally constructed by cutting outlines into the rough tussocks of grass down to the underlying soil using such tools as were available in 1916. Chalk from external sources was then hauled manually from chalk dumps and used to fill in the areas exposed.

    SLOPE PROBLEMS
    profile before restoration – section through large chalk areas

    Restoration problems involved work being carried out on a hillside that sloped at about 30 degrees and where a combination of grass, chalk and rain makes for a hazardous working environment. All chalk hills suffer from surface soil movement or ‘creep’. This causes ridges to develop above and below the horizontal chalk outlines and distorts the view of the badges from the A30 road. These so-called ‘eyebrows’ had to be removed.

    Existing chalk on the Badges was removed to a depth of 150mm, stabilising the slope where necessary using geotextile materials together with one metre long metal rods, and replacing the excavated areas with compacted new chalk. On a large badge this required handling about 50 tonnes of chalk out of and into the site. As each badge is restored it is fenced to prevent cattle damage which had occurred in previous years.

    The restoration of the eight military crests on Fovant Down was completed by the end of June 2003.However that is not the end of the story. The annual cost of maintenance is above the current, and projected future, income level of the Society. If we cannot achieve the necessary level of funding to carry out effective annual maintenance work then the long-term existence of these memorials as visible emblems on the Downs must be in doubt.

    External links:
    WW1 military badges – Fovant Badges Society
    http://googlesightseeing.com/2009/08/the-fovant-badges/
    The Stonehenge Tour Company
    The Fovant Regimental Badges in Wiltshire England UK

    Fovant Badges – Fovant History
    Wiltshire Heritage Museum Home Page
    Related post Chalk Hill Figures – :
    Needless to say we offer guided tours of all the chalk hill figures in Wessex (some dating back to 3000BC) and can include other tourist attractions including Salisbury, Stonehenge, Bath, Avebury and Dorset

    Wessex Tour Guide
    HisTOURies UK – The Best Tours in Wiltshire and Dorset

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    Salisbury and Stonehenge are separated by some 20 minutes drive, so after having had visited the prehistoric megaliths, it would be simply unforgivable to not pop in on this medieval town (though it has the status of city), which is first of all famed by its 13th century gothic cathedral.
    The construction of Salisbury cathedral became one of those rare examples where only one generation of people was involved. That’s why, having had been erected during less than 40 years, this attired in stone lace structure represents a purest specimen of early English Gothic. The gracefully soared 123 metres spire is deceptively light. Actually its weight (with the weight of the tower) amounts to 6500 tonnes!

    salisbury cathedral

    Considering the fact that the foundation of Salisbury cathedral extends deep down the soggy ground only for 5 metres, it only remains to wonder how it has been still withstanding such load yet to admire the craftsmanship of medieval builders.
    Inside of Salisbury cathedral it is as much mesmerizingly beautiful as outside. The sunlight, flowing through the vibrant stained glass windows, softens that characteristic gothic solemnity and makes it more warm and friendly. Apart from good looks the cathedral prides itself on keeping one of the 4 copies of Magna Carta, having been remained from the time of John Lackland, as well as the oldest working clock in the world dated by 14th century.

    salisbury cathedral

    In the confines of the spacious Cathedral Close nestle picturesque buildings of different époques and styles. Mompesson House (on the left from the High Street Gate) is a typical sample of English Baroque with gorgeous plasterwork and elegant interior that became the set for “Sense and Sensibility”, starring Emma Thompson and Hugh Grant. Malmesbury House (just by Sarum College) is quite often associated with the name of distinguished composer of the 18th century George Frideric Handel. It is believed that this is where he gave his first concert in Britain, to be exact in the room above the Saint Ann’s Gate. Salisbury and South Wiltshire Museum, situated in an ancient building of the 13th century opposite Salisbury cathedral, houses not only the curious artefacts having been found in the process of excavations near Stonehenge but also possesses the exhibits of the time of Romans and Saxons, the pieces telling about Salisbury’s social life in the Middle Ages, great collections of costumes and paintings.
    sarum collegeSalisbury is one of those provincial towns where no one can help oneself but meander around the narrow little streets enjoying the tranquillity far from boisterous metropolises. Everything is so snugly compact in comparison with the cities with high population. So there is even its own “Little Ben”, though probably “Little Tower” would suited this clock tower better, because it was built on the site of the former prison.
    While walking along Salisbury, scrutinizing the old houses, amidst which there is a good deal of colourful timber-framed ones, and dropping in on little souvenir shops, the time unnoticeably flies by. And getting hungry organism suddenly begins to focus attention not on “that lovely little house” but on those with the signboards “pub”, “restaurant” or “café” on them. Though it doesn’t take too long to find a place for having a meal, because there are plenty of pubs and restaurants for every taste.
    salisbury wiltshireSome of them can be interesting not only from gastronomic point of view, but also from historic. In this list for instance are: the restaurant at “The Old Mill” placed in the building of an old paper mill of the 12th century, “The coach and horses” built in 13th century, “The haunch of venison” on the Market Place. That last one exists at least from the 14th century and it doesn’t only keep a vivid atmosphere of the past. Between the ground and first floors is yet another one small area for visitors, pretentiously called “The house of Lords”. There, in the tiny baking oven, a cut mummified hand clenching the playing cards has been put on display. It was found during the refurbishment of the restaurant and alleged to be of an unlucky gambler, having had been punished for his cheating. That part of dead body doubtfully raises someone’s appetite but definitely increases the popularity of the place.
    salisbury wiltshireAcross from “The haunch of venison” is an unusual stone construction. It’s called Poultry Cross, though visually it looks more like a stone marquee. In the 15th century, when Market Place was wider, there were four Crosses. In those days they functioned as departments in the modern supermarkets. So in the Middle Age there were: Cheese/ Milk Cross, Poultry Cross, Wool/Yard Cross and Barnwell Cross where the livestock was being sold. Nowadays this only remained Poultry Cross is the sort of a town summerhouse, a perfect spot for making a date or take shelter from a heavy shower.
    In spite of such worldwide neighbour like Stonehenge, Salisbury, having its own charisma, doesn’t fade in the rays of the megaliths fame at all. Salisbury is like a main spice in the dish, it makes the trip to Stonehenge more complete. Without it that “megalithic delicacy” might be a little bit mild.
    External links:
    Visit Salisbury and Wiltshire Tourist website – www.VisitWiltshire.co.uk
    Salisbury Cathedral – www.salisburycathedral.org.uk
    Stonehenge – www.Stonehenge-Stone-Circle.co.uk
    Salisbury and Stonehenge Tours – www.StonehengeTours.com

    Southern England log : http://thesouthofengland.blogspot.com
    Tours from London – www.Welcome2London.co.uk
    Needless to say we can organise private guided tours of Salisbury and Stonehenge for small groups.  These tours can depart from Salisbury, Bath, Glastonbury or London

    Salisbury Tour Guide
    HisTOURies UK – The Best Tours in ancient Wiltshire

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